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Once contenders for the mantle of Britain’s most self-conscious band — guilty, by their own admission, of pandering to audiences’ tastes following their move from Pompey to London — Hotel Lux have crafted an identity that is truly their own on bold debut album ‘Hands Across The Creek’. The band’s classic influences — Dr Feelgood, The Stranglers, Ian Dury — meshed with the sounds of artists like Neil Young, Brian Eno and The Waterboys, and, in the end, Hotel Lux found themselves “doing the whole ‘haha, that’s what the fourth album will sound like’ thing” on their first, says Cam. They decamped to The Wirral, with Bill Ryder-Jones (The Coral; Arctic Monkeys) as multi-faceted influences, £20 Casio keyboards and marauding song structures fell into place. Hotel Lux look set to become something their early critics might have not foreseen: a band full of confidence, with the ability to transcend their peers and carve out their own corner of British music tapestry.

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